Blindfonts.com

Author: blindtype.co

  • Bango Pro Font

    Bango Pro by JCfontsBango Pro is a lively, heavyweight font with a strong cartoon feel, perfect for poster design, packaging, and anything that needs to draw attention – in an informal way. Originally released with uppercase and unicase characters only, this new version (commissioned in 2013 by a London-based design…

  • Intimo Font

    Addicted by AliasIntimo was designed by Gareth Hague and published by Alias Collection. Intimo contains 2 styles and family package options. A two version type family, Intimo One is a serif dot matrix typeface, letterforms made up of grid-based dots. Intimo Two is also made up of dots, but in this case the lines are curved, giving…

  • Addicted Font

    Addicted by AbdalakaAddicted Font that contain lowercase, uppercase, symbol, and also support multi language. There’s a lot ligatures in this font. Addicted Font also comes with ligatures, stylistic alternates and many more. this font suitable for fashion, branding, catalog and other design what you want. FoundryAQR Studio DesignerMuhammad Hidayat Release…

  • Oldy Beany Font + Extras

    Oldy Beany by AbdalakaIntroducing the Oldy Beany font that inspired by vintage tradition and aesthetic old things. This font is suitable for logo, labels, packaging, poster, t-shirt and many more application. Come with stylistic alternates character, ornament, floral illustration and ribbon set that can be matched with your letters and…

  • URW Eckmann Font

    Eckmann by URWDesigned by Otto Eckmann and cast by Rudhard’sche Gießerei (from 1906: Gebr. Klingspor) in 1900. Known as Eckmann, Eckmann-Type, or Eckmann-Schrift. Comes with alternates for ‘DHIT’. A bold weight was added in 1902 [Seemann] and a licht (outlined) before 1907. [Klimsch] Accompanied by ornaments (Eckmann-Schmuck) and initials. Described…

  • URW Devinne Ornament Font

    Devinne Ornament by URWDesigned by Nicholas J. Werner in 1893, Devinne Ornament is a decorative serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. FoundryURW Type Foundry DesignerNicholas J. Werner Release Date1893

  • URW Copperplate Font

    Copperplate by URWDesigned by Frederic William Goudy in 1905, Copperplate is a decorative serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. FoundryURW Type Foundry DesignerFrederic William Goudy Release Date1905

  • URW Chevalier Font

    Chevalier by URWChevalier LP is a revived decorative face with a European lineage. Its patterned and shaded fatface letterforms exhibit the continent’s 19th century fascination with elaborate engraving techniques, often used on currency as a deterrent against counterfeiting. For this reason Chevalier evokes images of bank notes and finance. FoundryURW…

  • URW Bauer Bodoni Font

    Bauer Bodoni by URWIs a variation of the Bodoni typeface, this font was released by Heinrich Jost in the year 1926 for the Bauer Type foundry in Frankfurt, Germany. Heinrich Jost was the artistic director of the foundry from 1923 to 1948, period in which he designed this font which…

  • Stationery Invitations Mockup

    Stationery Invitation by Envelope MockupA floating free invitation card along with envelope mockup in a rocky presentation. Put your artworks on smart objects one by one on each items. Showcase greeting card design, post card design, invitation, wedding card, seasons greeting card or any custom message card and get a super realistic…

  • Ornaments Accolades Font

    Ornaments Accolades by AstypeThe astype ornament series Accolades A offers the designer a fine balanced set of calligraphic swashes, swirls and floral ornaments. The shapes are in systematic order and harmonize in contrast and detail. The shapes can be combined easily and the advanced designer can build lots of sophisticated…

  • URW Alternate Gothic Font

    Alternate Gothic by URWAlternate Gothic was designed in 1903 by Morris Fuller Benton for American Type Founders (ATF). The idea was to provide several alternate widths of one design, namely Alternate Gothic No. 1, No. 2 and No. 3, to be more flexible with regard to different typographic tasks. All…